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Review: Squeeze at The Hexagon
By Alan ManicomNovember 26, 2012
Squeeze
Saturday, November 24
The Hexagon
Innovative as ever, Squeeze found a new way of pleasing their fans at The Hexagon on Saturday.
Within minutes of them finishing and coming off stage, a recording of the concert was made available to buy for £15.
The group then sat in their Pop Up Shop in the foyer, signing the sleeves of their three-CD package, which also included an EP of their first new studio recordings in 15 years.
The group had arrived on stage earlier to a projected cartoon Bruce Forsyth introducing each band member.
Lead singer and guitarist Glenn Tilbrook jokingly name-checked 'Reading' several times between songs to prove to the audience they would be buying what they were listening to.
Starting with Bang Bang, the commercially unsuccessful second single about sulphate abuse off their 1978 self-titled debut album, Tilbrook acknowledged it was 'a controversial opening number'.
But then Squeeze never have been a band to go for the easy option.
Part of their endearing charm since forming in Deptford, London, in 1974, has been the way they have avoided following trends.
Never stereotypical, they have always looked to be original while sticking to their own self-effacing, humorously cheeky, unique style.
Their eclectic 99-minute set was augmented with a series of videos carefully matched to each song.
Images of early arcade computer games - Pong, Space Invaders, Galaxian and Pac-Man - were a clever choice for the backdrop to Cool For Cats. The music and visuals instantly transported me back to my local pub in the 70s.
Cartoons of the band accompanied the kitchen-sink drama classic Up The Junction, while there was old footage of Squeeze's 1977 Silver Jubilee gig in the street, which included a very youthful shot of former band member Jools Holland.
Another song had a video of friends and relatives, I presume, in the Pelton Arms, Greenwich, miming perfectly in synch to what the band were doing on stage.
The most poignant backdrop of all, though, was the simplest - vapour trails across the sky as Tilbrook sang Some Fantastic Place, the hauntingly beautiful tribute to his first girlfriend Maxine, who died after contracting leukaemia.
The words to this, as with nearly all Squeeze's songs, were written by lyricist Chris Difford, with Tilbrook providing the music.
The pair were hailed as heirs to Lennon and McCartney's throne during the peak of Squeeze's popularity in the early 1980s.
And although that was a claim that hindered rather than helped them, I still find it staggering that Difford and Tilbrook have never enjoyed the commercial success and recognition their undoubted talents deserve.
They have always been their own men and on Saturday they had the courage to showcase relatively unknown tracks from their individual albums, even though there was a genuine risk of losing the audience.
Tilbrook's Al Green-inspired Still was an excellent choice, as was Difford's country and western song Cowboys Are My Weakness, about which he remarked: "That's a song I wrote for KD Lang, but she didn't like it so I gave it to Dolly Parton, but she didn't like it either . . . but Glenn Tilbrook likes it so it's in our set."
You could tell the pair were genuinely enjoying being back together again on stage.
And anyway, whenever the intensity dropped a little, there was always a crowd favourite to get things rocking again - Annie Get Your Gun, Labelled With Love, Tempted, Another Nail In My Heart and my own favourite, Pulling Mussels (From The Shell), which judging by the reaction around me in the standing section was a highlight for the audience too.
I'd have loved to have heard Cold Shoulder or Points Of View, but something good was always going to be left out when their back catalogue runs to more than 200 songs and contains so many gems.
They ended with Goodbye Girl, which featured the strangest looking instrument I've ever seen, sort of a cross between a small hoover and a bagpipe. I wish I'd asked one of the band what it was called when I got my CD signed. Did anyone else?
All in all it was a thoroughly enjoyable party with one of the most talented and under-rated bands this country has produced.
If I've made you wish you were at The Hexagon on Saturday, or you were there and want to relive it, you can still get the CDs of the Reading concert online at squeeze.mybigcommerce.com.
I've a feeling my copy is going to be on in my car for a while.

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Most recent user comments 4 of 4
I merrily trotted along, amply sidestepping the 8 foot wide puddles around the terraced area near the Hexagon doors. There is no higher delight that edging cautiously down that gangway twixt Oxford Road and The Hexagon late at night, which fortunately it wasn't. Soaking socks narrowly avoided, I was subject to the usual thoughtless layout within the bar area down there. Great idea to leave tables and chairs where most people actually want to stand and walk and talk.
Squeeze themselves had updated some of their 'classics' , and these mixes seemed to work well in the live domain. I shall buy the cd at some later stage, and review that separately. I do wish they had played 'The Knack' though , coz when you play that you know that you are going to have to go to the record player and flip to Side B. And it's a 'Bangin' Choon in modern parlance.
Sadly, it seems to have become the norm over the last ten years for the talents of the musicians to become trivial alongside the verbosity and self grandeur of some audience members. Specifically the ones who are profoundly fond of their own commentaries, throughout the duration of the songs. It's even better when those persons are ignorant enough to block your view, and pished enough to not care. Fortunately, I am hoping to see Squeeze again on this tour, but I shall head to a midweek show. If I am to pay another thirty five quid, it will not be to observe the back of a bald head.
The other surprise to me was the average age of the audience, welllllll into their 40's , and I may be being generous at that.
Paul Heaton was also entertaing, playing the Northern Chump with ease. The high point was 'Me and The Farmer' , and the very lowest point being that dreadful 'Caravan' song, a song as smooth as Luxury Toilet Tissue, and one which I happily flush after use.
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The live CD sale is not new but more bands should do it.
26/11/2012 at 13:19 Offensive or Inappropriate?
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